On the occasion of the anthological exhibition of Paolo Ulian's work, Pata interviewed him, trying to retrace and understand his work and his universe.
It must be because of the frame, at least a little. That little chapel from the 500s, intimate, modest and sweet, right next to the Basilica di Sant'ambrogio.
Use goat kids to take care of public gardens, plant little ivies all around the city, or provide a small map in order avoid CCTV cameras and advertisements: a bit of peace and quiet, please.
Martino Gamper had begun to "play" with the masters starting with Giò Ponti, just in order to not attract attention let's say, then, recently, in order to present this collection of ...
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